Shin Godzilla: Design Review
Since this movie has been out a considerable length of time this will be a spoiler heavy review of the design of Shin Godzilla.
Although Godzilla is a McGuffin I will address how he is designed and depicted in this movie. I am a bit ambivalent about this design. I do not hate it (I don’t hate any Godzilla design) but it is also far from a favorite design. This is the largest Godzilla standing at 118.5 metres (389 ft) which is taller than any other Japanese Godzilla and taller than Legendary Godzilla, the most recent American incarnation of the monster, which stood at 106.7 meters (305ft). His face is craggy and menacing looking which is one of my favorite aspects of this design.
He has numerous spines/fins on his back which has often been a favorite feature of this creature (Godzilla 2000 being my favorite depiction of this aspect of Godzilla). However the fins/spines are so numerous on his back that they are rendered inconsequential which I find disappointing.
I sometimes call Shin Godzilla “Zombie Godzilla” because in his final form he moves so lethargically slow which means this Godzilla really doesn’t have much of a personality as other Godzillas have had. His atomic ray, which comes from other parts of his body than just his mouth is the best feature of this design. It is the most destructive atomic ray we have seen to date. It is a pure delight to see and with him able to shoot it out from his spines as wells as his tail is complete genius in my view. It is one of the reasons this movie is fresh. It takes a well worn trope in a Godzilla movie and reinvents it in an unexpected and excitingly fresh new way.
Although Godzilla spends the majority of this movie just walking zombie like on his way to Tokyo (what does he think he’s doing with all of this walking…taking the One Ring back to the fires of Mount Doom?) he is more physically animated while firing his atomic ray which does come across as a bit incongruous.
To depict the rising level of crisis the Japanese Government has to confront, Godzilla appears in several developing forms and transformations which is an entirely new aspect of Godzilla. We have seen this done in other Godzilla movies (Godzilla vs Hedorah and Godzilla vs Destroyer) but in those movies the villain monster is the one that develops through several stages not Godzilla himself. I really like this twist on the Godzilla legend and given the context of the movie it makes perfect sense. I also like the fact that Godzilla doesn’t stay too long in these younger forms and quickly evolves into his adult and final form.
Godzilla and all the buildings and other objects he destroys are no longer rendered through a man in a suit or models. As a special effects junkie I praise and welcome this change and find that Toho (or whomever did the CGI) did an excellent job. I do love and appreciate the old suit and model approach to the older movies and they were fine for their times. While I do feel some nostalgic sadness that those days are over, as a viewer I really love the new CGI approach. It is time for Toho to move into the 21st Century.
Posted on November 20, 2017, in Captain's Log..., Godzilla Designs, Godzilla Movie Review and tagged Atomic Ray, Godzilla, Heisei Series, Legendary Godzilla, Legendary Pictures, Millennium Series, Shin Godzilla, Showa Series, Toho. Bookmark the permalink. Leave a comment.